It took me a long time to listen to music that was, for lack of a better word, “different.” What I mean by “different” is: music which steps out of its supposed limitations; using basic instruments such as the guitar, the piano, etc. Even still, I’m apprehensive to pick up a record that doesn’t bear a label familiar to me (i.e. pop punk, rock, alternative – you get the picture). Yet, there was something different about Big Black Delta’s album, BBDLP1.
Those of you who are fans of M83 will no doubt fall in love with this album. Tracks like “Betamax” and “Capsize” are incredibly reflective of that ambient-electronic sound which Jonathan Bates has undoubtedly taken from his travels and collaborations with M83 themselves. I feel that Big Black Delta has a signature of its own in the electronic world, considering that most electronic and house music is not so concerned with exploiting vocals. Most of what I have heard, vocal-wise in this electronic world are, embedded sound bites. BBDLP1 stands out because of its variety in human vocal exploration. “Dreary Moon” happens to be one of the best examples of this. It reminds me slightly of Thrice’s song, “Child of Dust,” but with more synths and that tone of existentialism.
But for those listeners who are want more “traditional” electronic music, fast forward to, “Put The Gun On The Floor,” “IFUCKINGLOVEYOU,” and “The Zebrah.” Be transported into a galactic world, dance amongst the stars, and forget about the knowing the great wonders of the universe when you put on Big Black Delta’s, BBDLP1.
Reviewed by: Ashley Jean
Originally published on October 5, 2011
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